4/5 ⭐ Followed by notoriety she never asked for, Natalie is looking for a way out of the darkness and evil that seems to find her. Even if that means leaving her job on the police force. Let me just start with holy cow, the imagery and language Blanchard sets us up with is... *chef's kiss, perfection. Very rarely do I feel like I am there in the scene following, watching the characters as the story unfolds. But here, I am walking with Natalie as she goes to interview potential witnesses or as she is driving along the snowy landscape of her hometown. It’s mesmerizing. I was disappointed that this was yet another story with a love triangle. And as it was introduced so early on, I knew it was going to be a prominent plot point to the story. But it made me cringe every time an interaction happened between Natalie and the one man she wasn't in a relationship with, Luke, her childhood friend, and boss. That right there should be a good sign that it wouldn't work. Too much histo...